Sunday, October 4, 2009

America's Dr. Van Helsing Speaks....


from Prof. Kevin MacDonald,



Over 30 years ago, director Roman Polanski raped a 13-year-old girl. The details aren’t pretty. According to the girl’s Grand Jury Testimony, Polanski plied her with enough alcohol and Quaaludes to make her dizzy and disoriented. He then had oral copulation with her, followed by sexual intercourse, and ending with sodomy because he did not want to get her pregnant. In her testimony, the girl made it clear that she went along with Polanski’s advances because of fear.

The girl declined to testify at trial, so Polanski was able to plead guilty to one charge of unlawful sexual intercourse with a minor even though the Grand Jury charged him with rape of a minor, sodomy, rape by use of a drug, and other crimes. He served 42 days in a psychiatric observation facility before fleeing to France. Since 1997, the victim has urged that the charges be dropped, but apparently did so only after receiving a substantial financial settlement.

Polanski’s life as a fugitive has not exactly been a vale of tears. He has directed a number of movies, some with major Hollywood stars. His 2002 Holocaust movie, The Pianist, was widely acclaimed, winning an Oscar for Best Director, among other awards.

Of course, we shouldn't make too much of the fact that The Pianist received quite a few awards, since making movies about the Holocaust is well-known as the
key to Oscar success. On the other hand, making movies like the Passion of Christ brings nothing but opprobrium and charges of anti-Semitism. Why this should be so is one of the great mysteries of life.

....

As I elaborated elsewhere, the Jewish intellectual movements that came to dominance in the US after WWII abandoned their Marxist roots in favor of promoting radical individualism among non-Jews. They did this not because of their allegiance to the ideals of the Enlightenment, but as a useful tool for ending anti-Semitism and preventing mass movements of the right.

One aspect of radical individualism was lack of racial identity for Whites. For the Frankfurt School, the ideal non-Jew was someone who was completely detached from all ingroups, including his race, his Christian religious affiliation, and even his family.

Indeed, a White person with a sense of ethnic pride was analyzed as suffering from a psychiatric disorder — a diagnosis that was not applied to any other race or ethnic group. Polanski can thus exemplify expressive individualism while at the same time demonstrating his Jewish identity by making a Holocaust movie. For non-Jews, expressive individualism means not identifying with your race or ethnic group.

Another aspect of radical individualism is disinhibited sexuality. Psychoanalysis was especially important as an intellectual tool to undermine the traditional American sexual mores deeply embedded in the Christian religious tradition of American culture.

-exerted from here



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